farOpen is thrilled to share this news with you farOpen artist Jennie Blunt selected for Wales Contemporary 2022. Artist Jennie Blunt will be taking part in the Wales Contemporary 2022 Exhibition this October. 144 works have been selected from artists across the world and will be on display at The Waterfront Gallery in Milford Haven from 1st October until 5th November, after which the exhibition will tour at The Oxo Gallery in London on 30th November until 4th December. The oil painting that has been chosen is ‘Blue Brogues’ which you may have spotted on show at the Dean Heritage Centre during the July FarOpen studios event. Well done Jennie! Winner of the Ashburner Prize Deborah Harrison for The Stone Totem. Stone Lane Gardens has held an Annual Sculpture Exhibition since 1992 Co-founder June Ashburner was a sculptor and local gallerist. She invited the strong local arts community to exhibit their work in the garden. They produced a diverse exhibition of mostly contemporary abstract sculpture and installations. Endeavouring to sustain that legacy of diversity, they host an exhibition illustrating the continuing creativity of emerging artists based in or connected to the South West. This year’s exhibition was opened, by Sir Tim Smit KBE of the Eden Project, on 1st July where Sir Tim announced the winner of the Ashburner Prize Winner (2022) as farOpen artist Deborah Harrison for The Stone Totem. Her piece is on display until 31st October 2022 Sculpture Exhibition and Ashburner Prize | Stone Lane Gardens View catalogue of the event here Click to watch Deborah talking to videographer and Garden Friend, Tom Law, about The Stone Totem, at Stone Lane Garden. www.debsharrison-sculptor.co.uk High Praise for Specialist Award
Congratulations to Sarah Trenchard, from Fellows Framing, who recently gained an Advanced Qualification in Conservation Framing from the Fine Art Trade Guild. It focuses on the high levels of framing suitable for irreplaceable items of high historical, monetary and sentimental value. A way of framing were protection and preservation are key. Sarah commented “It has taken a lot of time reading and practising to feel confident to do this highly technical and demanding exam but its well worth it to have the best expertise to advise my clients”. More information about this can be found at https://www.fellowsframing.co.uk/post/conservation-and-museum-framing-qualification.
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Canvas is a strong woven cloth traditionally used by artists to paint on and nowadays is also printed on.
Works on canvas need support which is provided by stretcher bars or board. Stretcher bars are 4 sections of wood similar to frame in which the mitred corners are joined and the canvas is stretched over it and stapled in place. Canvas on board is where the canvas has been glued to a thick board, usually of card. There are 4 main ways to frame canvas art Standard Frame, Tray/ Floater/ L Frame, Mounted and St Ives... read on I’ve been itching to get this one finished so I could share it with you! A few months ago now, a very lovely lady got in contact and asked if I was able to cut off some rings that were stuck on her finger. She was suffering from arthritis, and just like I remember seeing happening to my grandma’s fingers when I was much younger and she was still with us, her rings were now well and truly stuck. I guess my job is a little like surgery anyway. The preciseness and teeny weeny tolerances that I have to work with, but on day’s where I have to actually cut a ring of a client’s finger, it really feels that way!! It was my partner Nate that suggested I ask my client if she would mind me filming the “cutting off” process and luckily, she agreed! To start with, the job was just that, cutting off the rings, but we did have a little chat about either fixing and resizing or turning them into something else. My client decided that she’d pay for me to come up with a few ideas for a pendant, again, not making any commitment to go ahead, but she decided it was worth £28 to get some ideas on paper. A few weeks passed, I did some more research about magnetic clasps, and eventually, we decided on the design that you see in the photos at the bottom of this blog. I think the diamonds that I took out of the eternity ring were possibly the smallest I’ve ever had to set at just 0.9mm across (never stop learning)! I also of course included the sapphires, along with the gold from the original rings set on top of recycled silver to complete the pendant. Finally, collection day is always a little nerve wracking. It still doesn’t really get any easier, even though I can’t actually remember anyone “not” liking their commissioned piece, but I guess the day when I’m not feeling nervous is the day that I should probably stop, as its those nerves that fuel the refinement and development of any artists work that should really NEVER stop! Painting Planets with Deborah Phelps-Gane at Stable Studio, Upper Lydbrook.
Workshops can be a lovely experience but some may feel a little intimidated to give it a go. Here, artist Deborah Phelps-Gane, shares a typical studio day running a workshop to help you feel more at ease booking. I hope you feel inspired to try out an art workshop yourself by clicking through on the workshop links at the bottom of this email. I have always loved painting planets as well as helping family and friends have a go at creating their own piece of artwork completely of their own design and making. My paint workshops journey started when my book club ladies came all the way from Wiltshire to visit me and one of them said “why don’t you give us a painting class Deborah?!” That workshop turned out to be so much fun that I'm continuing to offer them regularly now. I invited Lynda, Sue, Kathy and Susan in to my garden studio which looks out onto the picturesque Holy Jesus Church on the hillside opposite. The workshop building was originally an old donkey stable but has since had a makeover to become my ‘Stable Studio’ filled with light and a cosy wood burner in the corner. The ladies arrived excited and eager to paint, so I quickly got them all wearing aprons before showing them some of my paintings which demonstrated different effects that can be achieved with acrylic paint and water. After which they browsed through my collection of Hubble Space Telescope and astronomy reference books for further inspiration. They had so much fun choosing colours, planet sizes and compositions but before we got started a nice cup of tea and biscuits was in order. There seemed to be lots of chattering going on during the tea break as to which types of ideas whey wanted and how many moons each of them would have. All materials were provided with my own resources available to borrow. With these, the ladies started painting in their planets, stars and moons with lots of laughter and pinching of brushes and equipment (a note to myself that I needed more of my scruffy brushes, as I call them). Personally, I have particular brushes I use in almost every painting, some brushes that I have had for years and are old friends that are especially good at getting different finishes and brush marks, so it was fun to see what people chose to use! After about an hour and half we stopped for lunch, had a little glass of prosecco and sandwiches outside whilst admiring the view. The afternoon session was great for me as they all started getting very engrossed in what they were doing and lots of “wows” when I showed them how I manipulated the paint. It was, and still is, a pleasure to show people what I do and that they can do the same. Their finished paintings were all very good and they were happy to have them wrapped up to take home. The photos of their hung artwork in their homes makes me so proud! Since then every workshop has had a similar vibe. Everyone who attends one of my workshops seems to relax into the process and exchange ideas along with lots of chatting and encouragement from each other and I love sharing with people how I paint. Click to visit Deborah's website |
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